The low budget DTV Starship Troopers movies looked better over a decade ago. It really is shit and overly lit, with sets that look recycled from a SyFy series. And it really is MeToo: The Movie (the lead chick even screams Me Too! during the one major action scene). They started production on this right after the movement started, hence the flat-chested lead trying to flex on twitter against male Doom fans, and you can see it in everything. Nothing's sexy, nothing's dangerous or edgy. Amy Manson is an aging beanpole with no discernible female qualities other than her lack of muscles. The squad of faggy Marines are literally REPRESENTATION UNIT! There's a Latino guy, a black guy, an Arab guy, an Asian chick, and a dyke with blue hair. The action is slow as shit and just consists of rando actors firing at the camera then cutting to stuntmen with long nails and blue body paint falling down. The only decent scene at all is at the end when VagSlayer gets pushed through the Doom gate into some foreign hell planet. It's nothing special design-wise but you can see they put some money into the final boss and his minions. (He is literally killed with one shot from the BGF, though.) The end sets up a Hell On Earth sequel, but I can't imagine they would even try that with a budget of two hundred dollars.Moe Bitches wrote: ↑Sat Sep 28, 2019 2:55 pmI'm watching that nuDoom movie on Cytube and oh god what the fuck?
Every single frame is raping Doom rough but slow. It makes me appreciate the 2005 (?) Doom a whole hell of a lot more, and the best parts of that movie were the ones were when the Rock was being the Rock and the first person parts. With that alone it's just a typical dumb 2000's movie.
Edit 1: The only credit that I can give this movie is that the monsters so far aren't cgi (but the sfx like the fireball thrown by the Imp...fucking awful) but for a shit movie like this I wish they were cgi.
Edit 2: the lighting and camera quality look television quality. I thought at first I was watching a CBS show. I know most movies now except for artsy flicks don't really use film grain afaik, but this movie could use it, because it's horror (for different reasons too)
Not Doom feels like an ashcan movie designed solely to keep the rights with Universal in case they ever try to make another real movie. There is nothing about it worth wasting your time with. It's generic but not awful, so you can't even make fun of it. It's just there, existing. It's Spoony.
